Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Philippe de Champaigne
The Miracles of the Penitant St.Mary

ID: 00375

Philippe de Champaigne The Miracles of the Penitant St.Mary
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Philippe de Champaigne The Miracles of the Penitant St.Mary


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Philippe de Champaigne

1602-1674 Philippe de Champaigne Locations His artistic style was varied: far from being limited to the realism traditionally associated with Flemish painters, it developed from late Mannerism to the powerful lyricism of the Baroque. It was influenced as much by Rubens as by Vouet, culminating in an aesthetic vision of the world and of humanity that was based on an analytic view of appearances and on psychological truth. He was perhaps the greatest portrait painter of 17th-century France. At the same time he was one of the principal instigators of the Classical tendency and a founder-member of the Acadmie Royale de Peinture et de Sculpture. His growing commitment to the Jansenist religious movement (see JANSENISM) and the severe plainness of the works that it inspired has led to his being sometimes considered to typify Jansenist thinking, with its iconoclastic impulse, in spite of the opposing evidence of his other paintings. He should be seen as an example of the successful integration of foreign elements into French culture and as the representative of the most intellectual current of French painting.  Related Paintings of Philippe de Champaigne :. | The Marriage of the Virgin | Moses with th Ten Commandments | Les enfants Habert de Montmor | Cardinal de Richelieu | The Dead Christ |
Related Artists:
studio of giotto
b. 1267, Vespignano, d. 1337, Firenze
Felix Esterl
(1894 -1931 ) - Painter painted Still life with fruits, foliage plants and jug in
Blake, William
William Blake was an English poet, painter was born November 28, 1757, in London William Blake started writing poems as a boy, many of them inspired by religious visions. Apprenticed to an engraver as a young man, Blake learned skills that allowed him to put his poems and drawings together on etchings, and he began to publish his own work. Throughout his life he survived on small commissions, never gaining much attention from the London art world. His paintings were rejected by the public






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